Carolan’s original harp bass

Carolan’s tunes had no base to them originally, as we have been informed by the late Keane Fitzgerald, a native of Ireland, and a good judge of music, who had often seen and heard old Carolan perform. It was only after his decease, in 1738, that his tunes were collected and set for the harpsichord, violin, and German flute, with a base, Dublin, folio, by his son, who published them in London by subscription, in 1747.

Abraham Rees, The Cyclopaedia; or, universal dictionary of arts, sciences and literature. London: Longman, Hurst, Rees, Orme & Brown, 1819. Volume 17, (unpaginated, under ‘Harp’)

Harp Society scandal

From the Minute Book of the Irish Harp Society, Belfast, some time in the first few months of 1810:

The Committee proceeded to an investigation of certain charges made by Arthur O Neill our Harper against Bridget O Reilly and Edward McBride two of our Scholars for having an Improper Connection. They were unanimously of opinion that such charges have been altogether groundless, false and unfounded

Belfast, Linen Hall Library, Beath Collection, box 5, item 1

(the previous page is dated 6th Feb 1810; this may be from that meeting or may be from an subsequent undated meeting. The entry is followed by a few blank pages and then the next item, in a different hand, is dated 8th May 1810.)

Bridget O’Reilly was from Virginia, County Cavan. She was a student of the Irish Harp Society school starting in September 1809.

Edward McBride was born around 1792. He was from from Omagh. He was a student at the Irish Harp Society starting in November 1808. When the Irish Harp Society was re-formed in 1819, McBride was recruited to be the new master and teacher of the school; one of his students then was Patrick Byrne.