I made a demonstration video of Róis bheag dubh, based on Edward Bunting’s live transcription from a tradition-bearer in the 1790s:Continue reading Róis bheag dubh
I made a demonstration video of Planxty Toby Peyton, from Edward Bunting’s live field transcription of the playing of an old Irish harper in the 1790s.Continue reading Toby Peyton
I made a demonstration video of Diarmaid Ó Dúda (DOSB 37) based on the live field transcription written down by Edward Bunting in the 1790s.Continue reading Diarmaid Ó Dúda
I made a demonstration recording of Planxty Drury (DOSB 10) (DOSC 42) based on the live field transcription written down by Edward Bunting in the 1790s, from the performance of an old Irish harper.Continue reading Planxty Drury
Garech Browne asked me to come to Luggala two-and-a-half years ago, when Richard Curson Smith and Liam McGrath were filming some scenes for a proposed documentary about Garech. Some of their footage has now been used in a new film, commissioned by RTÉ and directed by Mick Mahon, which was first broadcast last Wednesday.
I knew that playing for this kind of film means the footage will be used in tiny fragments, so I decided to play a sweet simple melody – the tune “Luggala” seemed most appropriate. Garech said afterwards that he was disappointed, he had hoped I would play ceòl mór. Garech was particularly taken with the idea of ceòl mór or pibroch played on the harp; he told me that he had read the idea in William Matheson’s book The Traditional and National Music of Scotland. The previous year, I had played pieces of ceòl mór on the harp for him and a few of his closest friends; he had wept openly, and said he never thought he would live to hear it.
The new film is a very beautiful thing, capturing Garech’s character very well. It is visually stunning of course, thanks to the setting at Luggala, but the memories of Garech’s friends in the documentary are lovely as well.
The film is available on the RTÉ Player until the middle of January. Watch it if you can!
I have been asked to do a historical overview talk at almost every Scoil na gCláirseach for years and years. Every time I do it, I try to make it new and fresh, to basically come up with a new overview. I think that way, I challenge myself to think about what story I want to tell, what are the important strands that we want to focus on.
Here’s my August 2019 talk, videoed by the Irish Traditional Music Archive.
I only had half an hour allocated, which made me focus even more. In this talk I didn’t speak about the modern revivals; sometimes I would make these an important part of the story. But somehow the medieval museum ambience made this aspect seem less important. And for the week-long participants at the summer school, the revival was what we talked about each day.
I’m always interested in the questions and comments….
On Saturday I was at Hospitalfield house, near Arbroath. This amazing 19th century country house is now conserved and run as an arts centre. A recent project was to restore the Erard Grecian double-action pedal harp that has been at the house since about 1830.
Saturday’s event was an inaugural concert for the newly-restored harp, and I was asked to give the pre-concert talk on the harp and its place in Scottish music. Continue reading Erard Grecian harp