The organiser, Lily Neill, had asked me to play some old Irish harp tunes to tie in with the music manuscripts and the early 19th century documents relating to the Irish Harp Society.
I took the new reconstruction copy of the NMI Carolan harp, which was delivered to me in Kilkenny by harpmaker Pedro Ferreira less than four weeks ago. So, this was the new harp’s first public engagement!
I played a couple of tunes I had found in the Collection, and some tunes associated with Irish Harp Society students Matthew Wall and Patrick Byrne.
Here is the full line-up for the day:
3:30pm-4:00pm Dr. Mary Louise O’Donnell – “The Bengal Subscription and the Irish-Indian Connection” Frank Bunting – “Edward Bunting’s Kilmore Parish Connections”
5:15pm-6:15pm Philip McDonagh – “Do you remember Sinclair Stevenson? Reflections on the Irish Missionary Tradition in India” Lily Neill – “The Emergence of the Lever Harp”
6:30pm-7:00pm Simon Chadwick – “The Old Irish Harp” Nicholas Carolan – “Some Irish Traditional Music Finds in the Beath Collection”
My header image shows a fragment of a manuscript which I played in my concert, from the Collection: Box 4, appendix 1, no.8
From the Minute Book of the Irish Harp Society, Belfast, some time in the first few months of 1810:
The Committee proceeded to an investigation of certain charges made by Arthur O Neill our Harper against Bridget O Reilly and Edward McBride two of our Scholars for having an Improper Connection. They were unanimously of opinion that such charges have been altogether groundless, false and unfounded
Belfast, Linen Hall Library, Beath Collection, box 5, item 1
(the previous page is dated 6th Feb 1810; this may be from that meeting or may be from an subsequent undated meeting. The entry is followed by a few blank pages and then the next item, in a different hand, is dated 8th May 1810.)
Bridget O’Reilly was from Virginia, County Cavan. She was a student of the Irish Harp Society school starting in September 1809.
Edward McBride was born around 1792. He was from from Omagh. He was a student at the Irish Harp Society starting in November 1808. When the Irish Harp Society was re-formed in 1819, McBride was recruited to be the new master and teacher of the school; one of his students then was Patrick Byrne.
I don’t know the exact date of manufacture, but it must be between about 1900 and 1950. We know that McFall adverised the availability of harps withe wire strings as well as the more usual gut-strung revival instruments.