One of the source books used by Donal O’Sullivan for his Carolan in 1958 is the enthusiastically titled A Favourite Collection of the so much admired old Irish Tunes, the original and genuine compositions of Carolan, the celebrated Irish Bard. Set for the harpsichord, violin, and German-flute, published by John Lee in Dublin. There is no date on this book, and O’Sullivan suggests 1780.
Continue reading Broderip & Wilkinson, the Compositions of CarolanTag: book
Carolan’s original harp bass
Carolan’s tunes had no base to them originally, as we have been informed by the late Keane Fitzgerald, a native of Ireland, and a good judge of music, who had often seen and heard old Carolan perform. It was only after his decease, in 1738, that his tunes were collected and set for the harpsichord, violin, and German flute, with a base, Dublin, folio, by his son, who published them in London by subscription, in 1747.
Abraham Rees, The Cyclopaedia; or, universal dictionary of arts, sciences and literature. London: Longman, Hurst, Rees, Orme & Brown, 1819. Volume 17, (unpaginated, under ‘Harp’)
A pupil of Hempson
Patrick
tolLangan
my very old teacher
a pupil of Hempson
told me
He plucked the
strings with his
long nails
J P Sherwin
Madame Scotia, Madam Scrap
I went to Glasgow to hear Helene Witcher talking about her book at the Aye Write literary festival. The book is a biography of Helene’s aunt, the Scottish harpist Heloise Russell-Fergusson.
“Traditional Music in Ireland”
I remember Ben Bagby taking a text describing African mbira players, and using it to get an inspiring description of what medieval harp music might be like. (‘Imagining the early medieval harp’, in A Performer’s guide to medieval music, ed. Ross Duffin, Indiana University Press, 2000, p.340-3)
So today I done the same with this text from Tomás Ó Canainn, Traditional music in Ireland, Routlege and Kegan Paul, London, 1978, p.87-90
The square brackets are where I have removed all the pipe-specific words and terms. In our minds we can insert harp references, so that we can try to read this as a guide to how to play Irish harp. Continue reading “Traditional Music in Ireland”
Irish Terms
I transcoded the audio and video on the Irish Terms page. Hopefully they will now work no problem on modern computers and browsers. Next, the videos need updated and the whole look of these pages. Later…
Check it out at http://earlygaelicharp.info/Irish_Terms/
More from the Examples sheet
The third tune on Edward Bunting’s Examples of Irish Melody wanting the fourt and seventh, is Féileacán. Today I made two video demonstrations and also two transcriptions with fingering of this important tune.
Examples of Irish Melody
In my book Progressive Lessons, I included a full size full colour facsimile of Edward Bunting’s loose sheet titled “Examples of Irish Melody”. These settings of the three beginners’ tunes are interestingly different from the ones we have from Denis O’Hampsey and Patrick Quin, and I have been using them more and more in my teaching.
It is very interesting to work through these settings with complete beginners in my classes, as well as discussing the implications with my established students. It really feels like a proper system for playing the Irish harp in the old Gaelic tradition is starting to emerge.
The Cambridge 48 – an early 17th century composition
“But Cambridge forty-eight, for many years, was the greatest peal that was rang or invented” (Tintinnalogia p.2)
In Duckworth’s Tintinnalogia, published in 1668, he gives the full text of “three old peals on five bells, which (though rejected in these days yet) in former times were much in use” (p.15-17). I am interested in these three as rare testimony of the state of change ringing in its true infancy in the early to mid 17th century.
Continue reading The Cambridge 48 – an early 17th century composition
Here lies Lappin, harper’s king
Ann Heymann was probably the first person to spot the lyrics “Here lies Lappin” associated with Burns’s March, including them in her book Secrets of the Gaelic Harp (1988). Continue reading Here lies Lappin, harper’s king