Carolan Archives - Simon Chadwick

Bob Jordan

Edward Bunting made what looks like a live transcription of a harp performance of Bob Jordan, apparently in 1792. You can see the transcription notation at Queen’s University Belfast, Special Collections, MS4.29 page 162/160/169/f79v.

Eleanor Plunkett

Carolan’s song addressed to Eleanor Plunkett, which begins “A Nelly an chúil chraobhaigh”, is fairly well known nowadays.

Molly George

The next couple of pages of Bunting’s transcription notebook (Queen’s University Belfast, Special Collections, MS4.29 p.158-60) are tunes from Denis O’Hampsey, and so I skipped over those to get to MS4.29 page 161 which has a tune titled “Molly George”.

Madam Cole

Edward Bunting made a live transcription of the tune of Madam Cole, from the playing of an old Irish harper, probably in the summer of 1796. The transcription is in Queen’s University Belfast, Special Collections, MS4.29 page 149/146/155/f72v. However, the transcription is too fragmentary to reconstruct a performance.

Fairy Queen

There are two separate transcription notations of Carolan’s Fairy Queen in Edward Bunting’s manuscripts. I don’t think anyone had noticed them before I found them while compiling my MS29 index PDF last year, because they are fragmentary and/or hidden.

Betty O’Brian

I was going to make a video demonstration of Edward Bunting’s live transcription of the tune of Betty O’Brian, but I didn’t because it is too corrupt.

Pléaráca na Ruarcach

I made a video demonstration of a version of Pléaráca na Ruarcach, from Edward Bunting’s transcription notation in Queen’s University Belfast, Special Collections, MS4.29 page 107/103/112/f51r.

Madam Maxwell

I made a video demonstration of Madam Maxwell (DOSC 101), based on Edward Bunting’s live transcription from an old Irish harper in the 1790s.

Miss Dillon

I made a video demonstration of the first half of Miss Dillon and Jigg, by Carolan (DOSC 35).

Cupán Uí Eaghra

I was hoping to make a video demonstration of the Carolan song air Cupán Uí Eaghra (O’Hara’s Cup), but in the end I don’t feel that I understand it enough, based on the transcription manuscript. It is an interesting and slightly unexpected aspect of this Old Irish Harp Transcriptions Project that there are tunes which are clearly notated live from the playing of a harper informant, but which it is very hard to convincingly reconstruct the harp performance behind the transcription.