Irish Harpers particularly from Belfast

File AI.80.019 in the NMI archive contains papers associated with a harp (NMI DF:1980.6) which is said to have originally belonged to Valentine Rainey, master of the Belfast Harp Society school in the early 19th century. The file includes letters relating to the purchase of the harp, as well as photocopies of a selection of other documents which may have come with the harp; there are some pages from Charlotte Milligan Fox’s book, Annals of the Irish harpers (1911), a photo of the harp with some information about its provenance, and a couple of handwritten pages of information about harpers.

There is no other information about these handwritten pages; all we have is the photocopies themselves. One is obviously a quick draft version, and the second a neater and slightly fuller version. The handwriting is difficult to read. This is my transcription of the two sheets.

Continue reading Irish Harpers particularly from Belfast

Playing the harp in the Linen Hall Library

Yesterday I was at the Linen Hall Library in Belfast, for the conference or colloquium, A Celebration of The Beath Collection and the Bicentennial of the Irish Harp Society (1819-39)

The organiser, Lily Neill, had asked me to play some old Irish harp tunes to tie in with the music manuscripts and the early 19th century documents relating to the Irish Harp Society.

I took the new reconstruction copy of the NMI Carolan harp, which was delivered to me in Kilkenny by harpmaker Pedro Ferreira less than four weeks ago. So, this was the new harp’s first public engagement!

I played a couple of tunes I had found in the Collection, and some tunes associated with Irish Harp Society students Matthew Wall and Patrick Byrne.

Here is the full line-up for the day:

3:30pm-4:00pm
Dr. Mary Louise O’Donnell – “The Bengal Subscription and the Irish-Indian Connection”
Frank Bunting – “Edward Bunting’s Kilmore Parish Connections”

5:15pm-6:15pm
Philip McDonagh – “Do you remember Sinclair Stevenson? Reflections on the Irish Missionary Tradition in India”
Lily Neill – “The Emergence of the Lever Harp”

6:30pm-7:00pm
Simon Chadwick – “The Old Irish Harp”
Nicholas Carolan – “Some Irish Traditional Music Finds in the Beath Collection”

Mary Louise O’Donnell
Frank Bunting
Philip McDonagh
Lily Neill
Me with the new harp
Nicholas Carolan
Conference attendees discussing items from the Beath Collection on display

My header image shows a fragment of a manuscript which I played in my concert, from the Collection: Box 4, appendix 1, no.8

Harp Society scandal

From the Minute Book of the Irish Harp Society, Belfast, some time in the first few months of 1810:

The Committee proceeded to an investigation of certain charges made by Arthur O Neill our Harper against Bridget O Reilly and Edward McBride two of our Scholars for having an Improper Connection. They were unanimously of opinion that such charges have been altogether groundless, false and unfounded

Belfast, Linen Hall Library, Beath Collection, box 5, item 1

(the previous page is dated 6th Feb 1810; this may be from that meeting or may be from an subsequent undated meeting. The entry is followed by a few blank pages and then the next item, in a different hand, is dated 8th May 1810.)

Bridget O’Reilly was from Virginia, County Cavan. She was a student of the Irish Harp Society school starting in September 1809.

Edward McBride was born around 1792. He was from from Omagh. He was a student at the Irish Harp Society starting in November 1808. When the Irish Harp Society was re-formed in 1819, McBride was recruited to be the new master and teacher of the school; one of his students then was Patrick Byrne.

McFall harp

Earlier this year the Historical Harp Society of Ireland acquired an interesting harp, made by James McFall in Belfast.

I don’t know the exact date of manufacture, but it must be between about 1900 and 1950. We know that McFall adverised the availability of harps withe wire strings as well as the more usual gut-strung revival instruments.

Continue reading McFall harp