The other day I was in Belfast, and I went to Queen’s University Belfast Special Collections to look at Manuscript 29, which contains Edward Bunting’s live transcription notations which he did in the 1790s, as well as tunes he copied from other books, and other jottings and rough notes. But instead of looking at the notations and writing, I spent my time peering at the ends of the book, looking at how the pages are fixed together.
Continue reading The structure of MS4.29Tag: book
Hugh O’Donnell
Bunting wrote the tune of Hugh O’Donnell into his little collecting pamphlet, perhaps in 1792. You can see the tune written neatly and clearly on Queen’s University Belfast, Special Collections, MS4.29 page 12/12/021/f5v.
Continue reading Hugh O’DonnellSylvia Crawford’s new book
I am very proud to be able to publish Sylvia Crawford’s new book, An Introduction to Old Irish Harp Playing Techniques.
Continue reading Sylvia Crawford’s new bookBroderip & Wilkinson, the Compositions of Carolan
One of the source books used by Donal O’Sullivan for his Carolan in 1958 is the enthusiastically titled A Favourite Collection of the so much admired old Irish Tunes, the original and genuine compositions of Carolan, the celebrated Irish Bard. Set for the harpsichord, violin, and German-flute, published by John Lee in Dublin. There is no date on this book, and O’Sullivan suggests 1780.
Continue reading Broderip & Wilkinson, the Compositions of CarolanCarolan’s original harp bass
Carolan’s tunes had no base to them originally, as we have been informed by the late Keane Fitzgerald, a native of Ireland, and a good judge of music, who had often seen and heard old Carolan perform. It was only after his decease, in 1738, that his tunes were collected and set for the harpsichord, violin, and German flute, with a base, Dublin, folio, by his son, who published them in London by subscription, in 1747.
Abraham Rees, The Cyclopaedia; or, universal dictionary of arts, sciences and literature. London: Longman, Hurst, Rees, Orme & Brown, 1819. Volume 17, (unpaginated, under ‘Harp’)
A pupil of Hempson
Patrick
tolLangan
my very old teacher
a pupil of Hempson
told me
He plucked the
strings with his
long nails
J P Sherwin
Madame Scotia, Madam Scrap
I went to Glasgow to hear Helene Witcher talking about her book at the Aye Write literary festival. The book is a biography of Helene’s aunt, the Scottish harpist Heloise Russell-Fergusson.
“Traditional Music in Ireland”
I remember Ben Bagby taking a text describing African mbira players, and using it to get an inspiring description of what medieval harp music might be like. (‘Imagining the early medieval harp’, in A Performer’s guide to medieval music, ed. Ross Duffin, Indiana University Press, 2000, p.340-3)
So today I done the same with this text from Tomás Ó Canainn, Traditional music in Ireland, Routlege and Kegan Paul, London, 1978, p.87-90
The square brackets are where I have removed all the pipe-specific words and terms. In our minds we can insert harp references, so that we can try to read this as a guide to how to play Irish harp. Continue reading “Traditional Music in Ireland”
Irish Terms
I transcoded the audio and video on the Irish Terms page. Hopefully they will now work no problem on modern computers and browsers. Next, the videos need updated and the whole look of these pages. Later…
Check it out at http://earlygaelicharp.info/Irish_Terms/
More from the Examples sheet
The third tune on Edward Bunting’s Examples of Irish Melody wanting the fourt and seventh, is Féileacán. Today I made two video demonstrations and also two transcriptions with fingering of this important tune.