There was apparently a player of the traditional wire-strung Irish harp in Drogheda in the 1840s named Mr. McEntegart. I have only two references so far to Mr McEntegart playing the harp, and neither is entirely unambiguous or satisfactory. I have also found a number of other references to Mr. McEntegart from Drogheda performing concerts on piano, guitar, and singing. I suspect these may all be the same person. This post is to line up all of these references, and to try and work out what is going on, and to make some speculative suggestions about his life and music.
Continue reading Eugene McEntegartTag: concert
Halpin
Halpin was apparently a traditional Irish harper in Drogheda in the 1840s. This post is a somewhat desperate attempt to say something useful about him.
Continue reading HalpinO’Connor
Mr O’Connor was a traditional Irish harper in the mid 19th century. He was originally from Limerick; he was blind, and was enrolled into the Irish Harp Society school in Belfast some time in the late 1820s or early 1830s. He had a very good performing career, touring and playing concerts usually with other traditional harpers, and also playing at private functions at the big houses of the nobility. Most of his work was in the South-East of Ireland.
This post is to draw together references and information about him, to try to piece together his life story.
Continue reading O’ConnorPlaying the harp in the Linen Hall Library
Yesterday I was at the Linen Hall Library in Belfast, for the conference or colloquium, A Celebration of The Beath Collection and the Bicentennial of the Irish Harp Society (1819-39)
The organiser, Lily Neill, had asked me to play some old Irish harp tunes to tie in with the music manuscripts and the early 19th century documents relating to the Irish Harp Society.
I took the new reconstruction copy of the NMI Carolan harp, which was delivered to me in Kilkenny by harpmaker Pedro Ferreira less than four weeks ago. So, this was the new harp’s first public engagement!
I played a couple of tunes I had found in the Collection, and some tunes associated with Irish Harp Society students Matthew Wall and Patrick Byrne.
Here is the full line-up for the day:
3:30pm-4:00pm
Dr. Mary Louise O’Donnell – “The Bengal Subscription and the Irish-Indian Connection”
Frank Bunting – “Edward Bunting’s Kilmore Parish Connections”
5:15pm-6:15pm
Philip McDonagh – “Do you remember Sinclair Stevenson? Reflections on the Irish Missionary Tradition in India”
Lily Neill – “The Emergence of the Lever Harp”
6:30pm-7:00pm
Simon Chadwick – “The Old Irish Harp”
Nicholas Carolan – “Some Irish Traditional Music Finds in the Beath Collection”







My header image shows a fragment of a manuscript which I played in my concert, from the Collection: Box 4, appendix 1, no.8
Ceòl mór at Verdant Works
Yesterday I was at Verdant Works in Dundee to play the lunchtime concert in their delightful “Music in the Mill” series. I played two big pibroch tunes, and I videoed one of them for you:
Scoil na gCláirseach
Last week was Scoil na gCláirseach in Kilkenny.
Verdant Works
Today I was at Verdant Works in Dundee. The High Mill of this 19th century jute factory is an interesting space for music events.
The video camera malfunctioned so there’s no video of the event for you. But here’s the complete audio: Continue reading Verdant Works
Victorian Visions
The Museum of the University of St Andrews has an exhibition currently called “Victorian Visions”, looking at 19th century items in their collections, and with a focus on the rediscovery and restoration of the medieval heritage of St Andrews.
When they asked me if I could come in and do a concert of medieval harp music to tie in with the exhibition, I started thinking of musical parallels to this rediscovery. Continue reading Victorian Visions
Playing the harp for Nathaniel Gow
“Nathaniel Gow’s Dance Band Concert” last night at the Edinburgh Assembly rooms was far, far more exciting, beautiful and moving than I had expected. The venue was just stunning, the band was amazing, the dancers were elegant and alluring, the programming was just perfect and the audience was almost full and really engaged with the entire project.
early 19th century Irish harp music
For my 10-minute set in next Friday’s 1817 bicentenary concert, I have been thinking about what tunes to play, and how to approach them.