The Weaver’s Lamentation

Edward Bunting wrote a song with a full piano arrangement into one of his collecting pamphlets, probably in the summer of 1792. I was going to silently pass over these pages as part of my Old Irish Harp Transcriptions Project, but I thought that actually this is an interesting enough thing to do a post about it.

Continue reading The Weaver’s Lamentation

Edward Dodwell

Edward Dodwell is another of the tunes in the “difficult” section of Edward Bunting’s field notebook between pages 14-40. You can see in my tune list spreadsheet that Ned Dodwell, on p.40, is at the very end of that section. In fact, since the next facing page from p.40 is p.43, I think we are missing a page here, and I think the missing page had a neat copy of Ned Dodwell.

Continue reading Edward Dodwell

Margaret 1281 concert at Northern Streams

On Friday 24th April is the first big public outing of the replica Queen Mary harp after it has been seriously reworked inside by Natalie Surina of Ériú Harps. I am going to present my “Margaret 1281” programme of storytelling, song, harp music and bowed-lyre tunes, as part of the annual Northern Streams festival in Edinburgh.

Continue reading Margaret 1281 concert at Northern Streams

Rory Dall Morrison tunes

On Saturday in the Wighton Centre, we were talking about Rory Dall Morrison, the blind harper of Dunvegan in the 1690s. So today I went back to my PDF Rory Dall tune list, and added in all the tunes for his songs. I was also bolder in moving more of the tunes and one of the song airs into the ‘misattribution’ section.

Continue reading Rory Dall Morrison tunes

Fíor mo mholadh ar Mhac Dhomhnaill – medieval bardic poetry performance

This is the final set at the Ceòl Rígh Innse Gall concert in the museum at Armadale, Isle of Skye, last month: medieval Gaelic ‘bardic’ poetry, sung with accompaniment played on the replica of the medieval Scottish ‘Queen Mary’ harp.

Fíor mo mholadh    ar Mhac Dhomnaill
Cur la gceanglaim    cur gach comhlainn
True my praising of MacDonald, hero I am tied to, hero of every fight

Croidhe leómhain   láimh nár tugadh
Guaire Gaoidheal   aoinfhear Uladh
Lion’s heart, hand that did not reproach, Guaire of the Gael, sole champion of Ulster

Aoinfhear Uladh   táth na bpobal
Rosg le rugadh   cosg na cgogadh
Champion of Ulster, welder of people, eye which caused the ceasing of warfare

Grian na nGaoidheal   gnúis í Cholla
Fa bhruach Banna   luath a longa
Sun of the Gael, face of the sons of Coll, around the Bann his galleys were swift

Cuiléan confaidh   choisgeas foghla
Croide connla    bile Banbha
Furious hound, stopping raiders, steadfast heart, tree of Ireland

Tír ‘na teannail   deirg ‘na dheaghaidh
A bheart bunaidh   teacht go Teamhair
The land is a blazing beacon behind, his ancestral duty to go to Tara

Measgadh Midhe   onchú Íle
Fréimh na féile   tréan gach tíre
The confuser of Meath, the wolf of Islay, the root of bounty, the defender of each land

Níor éar aoinfhear   no dáimh doiligh
Craobh fhial oinigh    ó fhiadh n-Oiligh
Refusing no-one, no pleading poets, generous honourable branch from the land of Oileach

Níor fhás uime    acht ríoghna is ríogha
Fuighle fíora   fíor mo mholadh
No-one raised with him but kings and queens. True these judgements; true my praising

Poet: anonymous MacMhuirich c.1500
Singer: Gillebrìde MacMillan
harpist: Simon Chadwick

After the music finishes we hear Godfrey, Lord MacDonald, speaking with the ‘vote of thanks’.

Concert at Armadale

Here’s the first photo I have seen so far from the Ceòl Rígh Innse Gall concert at the Museum of the Isles, Armadale, on the Isle of Skye a couple of weeks ago.

Left to right: Concert organiser Ian MacDonnell, harpist Simon Chadwick and singer Gillebrìde MacMillan in front of the reproduction of the medieval Iona grave slab of Aonghus Og, Lord of the Isles. Photo: Judith Parks