Arthur Morgan was a traditional Irish harper in the early 19th century. This post is to draw together the references to him so that we can start to say something useful about him.
Continue reading Arthur MorganCategory: long 19th century
This is a project to try and find out about Irish harpers who were continuing to play in the inherited tradition from 1790 through to about 1910.
These people (mostly men) learned from teachers who themselves had learned from teachers and so on in a lineage of tradition back through the 18th century harpers. They played on floor-standing wire-strung traditional Irish harps, using the traditional Irish harp playing techniques and style.
Harp Society House, Talbot Street, Belfast
I have already written about the Irish Harp Society running its harp school from a house in Cromac Street for 18 years, from 1820 through to about the end of 1838.
At around the end of 1838 the harp school was moved to a new premises in Talbot Street, where it ran for over a year, until some time in 1840 when it appears to have shut for good.
This post is to try and work out where on Talbot Street the Harp Society House was, and whether we can say anything useful about it.
Continue reading Harp Society House, Talbot Street, BelfastAndrew Bell
Andrew Bell was a traditional Irish harper in the middle of the 19th century. He had an excellent performing career, playing public concerts and being patronised by the gentry and aristocracy. This post is to try and gather everything together to start to tell the story of his life.
Continue reading Andrew BellThomas Hanna
Thomas Hanna was a traditional Irish harper in the middle of the 19th century. He held a coveted position as harper to an old aristocratic family. This post is to gather together different references to him, his life and his music.
Continue reading Thomas HannaJames McCurley
James McCurley was a traditional Irish harper in the middle of the 19th century. He played concerts, and he was beaten up in Cootehill. This post is to draw together the information we have about him, so that we can start to tell his life story.
Continue reading James McCurleyP. Fitzpatrick
P. Fitzpatrick was a traditional Irish harper in the mid 19th century. I only have a couple of references to him but they contain some hints that can help us start to describe his life and work. Hopefully in time more references to him will be found.
Continue reading P. FitzpatrickJohn McCotter
John McCotter was a student at the Belfast harp school in 1820. However he seems to have dropped out and I have not seen any trace of him after that.
This post is just to get his name down so that we can tick him off the list and move on.
Continue reading John McCotterHarp Society House, Cromac Street, Belfast
The Irish Harp Society in Belfast was based at a few different addresses from the beginning of the first Harp School in 1808 until the finish of the second Harp School in 1840. I have references to the Harp Society House being in three different Belfast streets at different dates: Pottinger’s Entry, Cromac Street, and Talbot Street.
This post is to collate as many references as I can, to try and work out where the house in Cromac Street was.
Continue reading Harp Society House, Cromac Street, BelfastMr. Rennie
We have a few references to a harper called Rennie in the 1840s. He is obviously a different person from the famous Valentine Rennie who died in 1837.
I don’t know anything about Mr. Rennie apart from these newspaper reports of him performing in the South-East with Mr. O’Connor. I am putting him here so that we can keep an eye on him, and so that we can add any new information that turns up.
Continue reading Mr. RennieValentine Rennie
Valentine Rennie was a traditional Irish harper and tradition-bearer in the first half of the 19th century. He taught the harp in Belfast for fifteen years, passing on the inherited tradition to perhaps twenty or more young harpers in the next generation. We have loads of information about him including two different portraits (header image courtesy of National Museums NI)
In this post I am going to try and cover everything so it will be very long. We will start by going through his life in order, and then after that we will look at things like his harps and his portaits.
Continue reading Valentine Rennie