long 19th century – Page 6

William Gorman

William Gorman was a traditional Irish harper at the beginning of the 19th century. He learned the harp from Arthur O’Neil, at the Belfast harp school, but he was expelled before he had completed his eduction. This post is to try and say something useful about him.

Hamilton Gillespie

Hamilton Gillespie was a traditional Irish harper in the first half of the 19th century. This post draws together information about his life.

Jane McArthur

There are quite a few traditional Irish harpers in the first half of the 19th century, whose names appear in the lists of harp students, but who disappear from the record after they finish their education and become professional harpers. However I think I still want to do a post about each of them. That way we have a place to add any further references that we might find. And it also helps us to start to get to know them as individuals.

Tom Hardy

Tom Hardy was a traditional Irish harper in Belfast in the second half of the 19th century. We don’t have a lot of information about him; we have only a few scattered sources. This means that any attempt to tell his life story will have more speculation and guesswork than hard facts. But I think there is enough to try. We can always come back later to add new information or to correct wrong guesses.

John MacLoughlin

John MacLoughlin was a traditional Irish harper in the first half of the 19th century. He had an interesting working life in Dublin, playing before the King, working in taverns and ending up in poverty. This post is to gather together the different scattered references to him, to build a picture of his life and work.

Patrick O’Neil

Patrick O’Neil was a young traditional Irish harper at the beginning of the 19th century. We have very little information about him, but I am putting him here on his own post so that we can start to think about who he was, and so that we can add more information as and when it turns up.

James MacMonagal

One of the problems with trying to trace these harpers in the 19th century records, is when there are multiple variant spellings of names. Sometimes it becomes unclear if we are dealing with two different people or not. This is a big problem if we are trying to reconstruct the life story of an individual.

Sometimes there is direct evidence that helps us to divide one name into two people (e.g. concerts by Mr. Rennie after the death of Valentine Rennie). Other times the record-keeping helps us to be sure that two names belong to one person (Hamilton Graham / Hamilton Gillespie in the Harp Society minutes, 1820-21). But often we just have to guess based on circumstantial evidence or hints.

We have references to James MacMonagal, and also to James McMolaghan. I really don’t know if they are two different people, or two different versions of the same name. This post is to draw together the references we have so far, and then to be a place where further references can be added in the future.

O’Connor

Mr O’Connor was a traditional Irish harper in the mid 19th century. He was originally from Limerick; he was blind, and was enrolled into the Irish Harp Society school in Belfast some time in the late 1820s or early 1830s. He had a very good performing career, touring and playing concerts usually with other traditional harpers, and also playing at private functions at the big houses of the nobility. Most of his work was in the South-East of Ireland.

This post is to draw together references and information about him, to try to piece together his life story.

Abraham Wilkinson

Abraham Wilkinson was a traditional Irish harper in the first half of the 19th century. This post is to gather the few references we have to him, so we can start to build a picture of his life.

Carolan

We have a few references to a harper called Carolan in the first half of the 19th century. We are never told their first name. I do not know if these all refer to the same person or not. But this post is to gather these references and see if we can say anything useful.