This is a lovely tune, and this transcription has lots of interesting harp idiom in it. But, it is the only source for the tune of Madge Malone as far as I am aware. Because we have three consecutive versions (the transcription, the neat copy, and the published piano arrangement), we can use the changes from one to the next to understand Edward Bunting’s working method, starting from him listening to a live performance by an old Irish harp tradition-bearer, and finishing with a very pianistic classical arrangement intended for wealthy piano amateurs.
The next couple of pages of Bunting’s transcription notebook (Queen’s University Belfast, Special Collections, MS4.29 p.158-60) are tunes from Denis O’Hampsey, and so I skipped over those to get to MS4.29 page 161 which has a tune titled “Molly George”.
There are two separate transcription notations of Carolan’s Fairy Queen in Edward Bunting’s manuscripts. I don’t think anyone had noticed them before I found them while compiling my MS29 index PDF last year, because they are fragmentary and/or hidden.