On the same manuscript page as The Beggar, Bunting also wrote what looks like a live transcription notation of the tune of Planxty Irwin (DOSC 59). You can see both of these tunes on Queen’s University Belfast, Special Collections, MS4.29 page 7.Continue reading Planxty Irwin
Edward Bunting made what looks to me like a live transcription notation of the tune of Casadh an tSúgáin, probably in Summer 1792. He writes 50 years later that he took this down from the harper Rose Mooney, but I don’t know if we can rely on his memory. Anyway, the transcription notation is very interesting and presents a very lovely version of the tune with a lot of what I assume is old Irish harp idiom and style in it.Continue reading Casadh an tSúgáin
File AI.80.019 in the NMI archive contains papers associated with a harp (NMI DF:1980.6) which is said to have originally belonged to Valentine Rainey, master of the Belfast Harp Society school in the early 19th century. The file includes letters relating to the purchase of the harp, as well as photocopies of a selection of other documents which may have come with the harp; there are some pages from Charlotte Milligan Fox’s book, Annals of the Irish harpers (1911), a photo of the harp with some information about its provenance, and a couple of handwritten pages of information about harpers.
There is no other information about these handwritten pages; all we have is the photocopies themselves. One is obviously a quick draft version, and the second a neater and slightly fuller version. The handwriting is difficult to read. This is my transcription of the two sheets.Continue reading Irish Harpers particularly from Belfast
Bunting has written two tunes on Queen’s University Belfast, Special Collections, MS4.29 page 220/218/227/f108v. At first they seem clear, with clearly written titles. But I cannot find other versions of them, and I do not know if these are harp transcriptions, or fiddle or vocal performances that Bunting has transcribed.Continue reading Two more mystery tunes
Edward Bunting wrote a song with a full piano arrangement into one of his collecting pamphlets, probably in the summer of 1792. I was going to silently pass over these pages as part of my Old Irish Harp Transcriptions Project, but I thought that actually this is an interesting enough thing to do a post about it.Continue reading The Weaver’s Lamentation
When I started playing the harp, I worked through Ann Heymann’s book Secrets of the Gaelic Harp (Clairseach, 1988). The first tune that I learned from this book was Mailí Bhán, “fair Molly”.Continue reading Mailí Bhán
I made a demonstration video of Planxty Toby Peyton, from Edward Bunting’s live field transcription of the playing of an old Irish harper in the 1790s.Continue reading Toby Peyton
Edward Bunting made what looks like a live field transcription of a tune titled “Mrs McDermottroe” or “Nanny O Donnely” on p. 18/18/27/f8v of Queen’s University Belfast, Special Collections MS4.29. Bunting made an edited neat copy on the facing page, and he published a piano arrangement in his 1797 book (No.53, Anna ni ciarmuda ruaidh / Nanny McDermotroe / Carolan). There don’t appear to be any independent variants of this tune, so the only way to understand it is to analyse Bunting’s very unsatisfactory notations.Continue reading Mrs. Anne MacDermot Roe
I first got hold of a facsimile of Bunting ms29 (Queens University Belfast, Special Collections, MS4/29) when it was first published online at QUB Library web site, back in 2006, and I have been working from the facsimile ever since.Continue reading Old Irish harp transcriptions project
Yesterday I was at the Linen Hall Library in Belfast, for the conference or colloquium, A Celebration of The Beath Collection and the Bicentennial of the Irish Harp Society (1819-39)
The organiser, Lily Neill, had asked me to play some old Irish harp tunes to tie in with the music manuscripts and the early 19th century documents relating to the Irish Harp Society.
I took the new reconstruction copy of the NMI Carolan harp, which was delivered to me in Kilkenny by harpmaker Pedro Ferreira less than four weeks ago. So, this was the new harp’s first public engagement!
I played a couple of tunes I had found in the Collection, and some tunes associated with Irish Harp Society students Matthew Wall and Patrick Byrne.
Here is the full line-up for the day:
Dr. Mary Louise O’Donnell – “The Bengal Subscription and the Irish-Indian Connection”
Frank Bunting – “Edward Bunting’s Kilmore Parish Connections”
Philip McDonagh – “Do you remember Sinclair Stevenson? Reflections on the Irish Missionary Tradition in India”
Lily Neill – “The Emergence of the Lever Harp”
Simon Chadwick – “The Old Irish Harp”
Nicholas Carolan – “Some Irish Traditional Music Finds in the Beath Collection”
My header image shows a fragment of a manuscript which I played in my concert, from the Collection: Box 4, appendix 1, no.8