I had an idea that the Historically Informed Performance (HIP) and Early Music movement is kind of like breeding endangered species in captivity, or even using genetic engineering to recreate extinct species of animals. In this sense, listening to a historically informed performance using scholarly reconstruction of historical repertory, style and playing techniques on replica instruments, is a bit like going to a zoo, to see the exotic animals on display.
When Iris Nevins gave me the Arnold Dolmetsch harp no.10, it had a bad soundboard crack. Closer inspection showed that the entire area where the neck attached to the soundbox was also loose.
I had promised Iris that I would get the harp up and running and do a video of it being played, so first I had to repair it.
I just removed the old strings from the Dolmetsch harp.