I realised it would be somewhat hypocritical of me to recommend my new Trinity College & Queen Mary harp stringing and tuning schedule, with na comhluighe (the sisters) at middle c, if I didn’t put it onto my replica of the Queen Mary harp.
So, last Sunday’s work was to remove all of the old silver trebles and gold basses, and put on the new brass trebles and silver basses according to the new scheme.
Continue reading Restringing the Queen Mary harp
I designed the stringing and tuning regime for the HHSI Student Trinity harps back in 2005, based on how I had previously set up my old copy of the Queen Mary harp. My aim then was to present what we knew of the 18th century Irish harp tradition – to have na comhluighe at g below middle c’, and to have a complete octave below na comhluige down to cronan G.
Continue reading Trinity College harp stringing and tuning