Two mystery tunes

One of the fun parts of my Old Irish Harp Transcriptions Project is discovering previously unrecognised or neglected live “dots” transcriptions of well-known tunes, most spectacularly with the Fairy Queen. And so the corollary is that one of the most irritating parts of the project is to find clear complete transcriptions of tunes that I cannot recognise from anywhere else.

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Lady Maisterton

There is what looks like a live transcription of the tune of Lady Maisterton, in the middle of a load of material copied from printed books into Edward Bunting’s collecting pamphlets, at Queen’s University Belfast, Special Collections, MS4.29 page 206/204/213/f101v.

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The Weaver’s Lamentation

Edward Bunting wrote a song with a full piano arrangement into one of his collecting pamphlets, probably in the summer of 1792. I was going to silently pass over these pages as part of my Old Irish Harp Transcriptions Project, but I thought that actually this is an interesting enough thing to do a post about it.

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Two difficult sections

One reason it has taken me a long time to get to my next tune is that there are a lot of pages in Queen’s University Belfast, Special Collections, MS4.29 which I have skipped. There is a big section of mostly or entirely Denis O’Hampsey material from pages 164 to 172, which I am skipping because I am concentrating on the other harpers. Then there are two sections which don’t seem to be harp transcriptions. I am less certain about identifying what these are, since my focus has been on spotting the harp style and idiom.

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Molly George

The next couple of pages of Bunting’s transcription notebook (Queen’s University Belfast, Special Collections, MS4.29 p.158-60) are tunes from Denis O’Hampsey, and so I skipped over those to get to MS4.29 page 161 which has a tune titled “Molly George”.

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