Header image © National Galleries Scotland, used under license CC-BY-NC
As we get further and further on in Patrick Byrne’s life-story, we have more and more information. So this post deals with just three months, from July to October 1849, following Patrick Byrne as he chases Queen Victoria around different parts of her realm.
Continue reading Patrick Byrne part 9: Playing for the Queen, summer 1849In Part 1, I wrote about Patrick Byrne’s early years and education, down to his discharge from harp school in 1822. Then in Part 2, we looked at his early career, working for patrons in Ireland and England from 1822 to 1837. Part 3 covered his first visit to Scotland over the winter of 1837-8, and his tour of Ireland in 1839-40. Then in Part 4 we looked at him playing for Queen Victoria at Windsor Castle, and then touring mostly in Ireland and a bit in England in 1841-4.
Since I posted part 4, John Scully has published his book Ah how d’you do sir (Carrickmacross, 2024) which gathers records of Byrne’s life, including many that I have included in my posts but also some that I had not found. I will refer to his book when he has found things that I didn’t know about. I have a few copies of John’s book in my shop.
By 1845, Patrick Byrne must have been around 50 years old. He was working hard, buoyed by his Royal patronage and his extensive networks of aristocratic patrons. At the beginning of 1845, he set off for his second trip to Scotland. It was a busy trip, and so this post will follow him for about six months, from when he went over at the beginning of 1845, until he headed back to Belfast on 25th June.
Continue reading Patrick Byrne part 5: Scotland, 1845In Part 1, I wrote about Patrick Byrne’s early years and education. Then in Part 2, we looked at his early career, working for patrons in Ireland and England.
By the summer of 1837, Patrick Byrne was approximately 40 years old; he had made a lot of contacts amongst the English and Irish aristocracy, and he had proved himself by his regular job at the rather high-class Royal Hotel in Leamington Spa, Warwickshire, England.
We will continue the story on Wednesday 18th October 1837, when Patrick Byrne left Leamington Spa and began the journey North to Edinburgh.
Continue reading Patrick Byrne part 3: 1837-1840I have been working with a student on Rory Dall’s Port from James Oswald’s Caledonian Pocket Companion. I have written on this blog before about how I think this tune was composed by Oswald as a pastiche of old Gaelic harp style.
“Nathaniel Gow’s Dance Band Concert” last night at the Edinburgh Assembly rooms was far, far more exciting, beautiful and moving than I had expected. The venue was just stunning, the band was amazing, the dancers were elegant and alluring, the programming was just perfect and the audience was almost full and really engaged with the entire project.
For my 10-minute set in next Friday’s 1817 bicentenary concert, I have been thinking about what tunes to play, and how to approach them.
On Friday 20th January, I will be in the Assembly Rooms in Edinburgh, playing as part of a bicentenary concert. Nathaniel Gow introduced Quadrille dances to Edinburgh in 1817, at his annual ball at the Assembly Rooms, and this year Talitha MacKenzie has organised a series of events commemorating this. The main event will be a Regency ball on Saturday 11th March, but there will also be dance workshops and the concert on 20th Jan.
For the next month, you can view the BBC TV documentary Scotland’s Treasures on iPlayer.
On Thursday I was at the National Museum of Scotland store in Granton, a suburb north of Edinburgh. I went there with Karen Loomis, to look at the plaster-cast of the Trinity College harp which is kept in the store. We had a very productive hour, inspecting, measuring and photographing the cast, and discussing aspects of the cast and how it related to the real thing in the Long Room at Trinity College, and to later illustrations and depictions of the harp.
Yesterday I was in Edinburgh to present my “bowed lyre workshop” at the Northern Streams festival.
