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Margaret 1281 concert at Northern Streams

On Friday 24th April is the first big public outing of the replica Queen Mary harp after it has been seriously reworked inside by Natalie Surina of Ériú Harps. I am going to present my “Margaret 1281” programme of storytelling, song, harp music and bowed-lyre tunes, as part of the annual Northern Streams festival in Edinburgh.

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Opening up the harp

I have been thinking for a few years now about the shape of the inside of my harp, in light of the new information we have from Karen Loomis’s PhD research at the University of Edinburgh.

When I commissioned the harp from Davy Patton in 2006-7, the thing we were most lacking was info about the inside – the shapes of the joints, and the profile and thickness of the soundbox. Basically, we had to make a lot of educated guesses.

Since then, we have the CT-scans and other technical studies of the Queen Mary harp that Karen has been working on, and many of our guesses have turned out to be pleasingly correct, such as our choice of timber – willow for the soundbox, and a bent limb for the pillar – but we were quite wrong in our decisions on how to shape the soundbox interior.

Luckily, we had erred very much on the side of leaving the wood too thick, so last week I took the harp to Natalie Surina, of Ériú Harps in Oughterard, Connemara, for her to cut a lot of wood from inside the soundbox.

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Interview with Allan MacDonald and Barnaby Brown

Earlier today I listened to this newly-published interview with Allan MacDonald and Barnaby Brown, online at altpibroch.com. I think this is an excellent new development on this admirable website and I look forward to hearing future installments in this series!

I was interested to hear Allan’s comments on ‘cronan’, and reflected on its use in the harp tradition to describe the string an octave below na comhluighe. I was pleased to hear Barnaby picking up on its relationship with the bass drone of the bagpipe.

Karelian jouhikko tunes

I have been practicing my jouhikko tunes in preparation for Northern Streams in Edinburgh, (24-25 April 2015). These are the very first jouhikko tunes I learned, as they were on the ‘Reel’ demo tape with Alexander Leonov’s jouhikko playing, which I was given as a gift many years ago, brought back from Petrozavodsk Folk Festival by a friend. Continue reading Karelian jouhikko tunes

Tuning pin

I have acquired an interesting old tuning pin. This is an early Irish harp tuning pin, probably dating from the sixteenth to the eighteenth century. I bought it from an Irish antiquities and coin dealer, who told me it was found in Co. Monaghan.

I’m very interested to consider this in the context of the surviving old harps, and to think about how most of us nowadays use modern pins, and how the differences have implications for the use and tuning of the harp.

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