Cupán Uí Eaghra

I was hoping to make a video demonstration of the Carolan song air Cupán Uí Eaghra (O’Hara’s Cup), but in the end I don’t feel that I understand it enough, based on the transcription manuscript. It is an interesting and slightly unexpected aspect of this Old Irish Harp Transcriptions Project that there are tunes which are clearly notated live from the playing of a harper informant, but which it is very hard to convincingly reconstruct the harp performance behind the transcription.

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Mable Kelly by Carolan

I made a demonstration video of Mable Kelly by Carolan, played on my copy of Carolan’s harp. My performance is based on Edward Bunting’s edited field transcription, apparently taken from the playing of the old Irish harper Hugh Higgins, perhaps in 1792.

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Caitlín Triall, and the Friar and Nun

If we check my Old Irish Harp Transcription Project tune list spreadsheet then we can see that the section of Queen’s University Belfast, Special Collections, MS4.29 from p. 44 to p.61 seems to be mostly transcriptions notated from Denis O’Hampsey in Magilligan.

However there are two transcriptions in this section which seem to me to be written in a different style, and which I think might be noted from Hugh Higgins in 1792.

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A chailíní, an bhfaca sibh Seoirse?

I made a demonstration video of A chailíní, an bhfaca sibh Seoirse, played (with some editorial adjustments) from Edward Bunting’s live transcription from old Irish harp performance in the 1790s.

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The Banks of Claudy

Edward Bunting‘s first field notebook, which he used to take down live transcriptions from the old harpers in 1792 and later, is kept at Queens University Belfast, Special Collections, MS4/29.

Usually known as ms29, it is a small oblong notebook stuffed full of sketchy drafts and scribbled transcriptions from the playing of the last tradition bearers.

On page 1 of the book is a two-staff arrangement of “The Banks of Claudy”.

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