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A495/370

Last night one of my gold strings popped. It was the f below na comhluighe, one of the original strings I put on the harp when it was brand new in 2007, half-hard 18 carat gold from Blundells in London.

Seeing as one of the higher gold strings had gone, I have taken the chance to redo the stringing and tuning. I took off the two gold strings above the one that went, and replaced all three with silver (the upper na comhluighe with one of my own dust-strings). And I tuned the harp to a new pitch standard of approximately A495/370.

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Rory Dall Morrison tunes

On Saturday in the Wighton Centre, we were talking about Rory Dall Morrison, the blind harper of Dunvegan in the 1690s. So today I went back to my PDF Rory Dall tune list, and added in all the tunes for his songs. I was also bolder in moving more of the tunes and one of the song airs into the ‘misattribution’ section.

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why

I have not been playing the harp because I have been working on the virtual ANS instead. For my very first experiment (which I put here the other day) I did everything on-screen , sampling the sound of the harp and distorting it rather crudely into a drone and some chime-like sounds.

But one of the things that attracted me to this instrument in the first place was the idea of tactile, hands-on shaping of the sonorities. Continue reading why

An Caoine Rioghaill – The Royal Lament

I was at Balgay parish church in Dundee today, presenting the replica Queen Mary harp and playing some old Scottish harp music. One elderly gentleman who was a member of the church guild and a piper was unable to attend but had sent in a question, saying he knew of a pipe tune which was a lament for the King, and which he believed was traditionally said to have been composed by an old harper out West.

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